The England that I grew up in was, if my memory serves me correctly, a fairly free and easy place. If I look back at my late teenage years, I have to admit that I did not suffer unduly from social constraints. My parents, although fairly strict, were strictly fair, and I indulged in a lot of cigarettes, a bit of whisky, but none of the wild, wild women that the song quote in today’s title goes on to speak about. I got away with some things my parents didn’t know about, although I subsequently learnt that it was not as much as I had thought at the time.
However, my real addiction, beside cigarettes, was bridge, and my only real embracing of the mood of the 60s lay in playing very, very bad folk guitar. I kept up both of these hobbies into my married life, although I would be the first to admit that my skill at the bridge table far outshone my ability on the guitar. Or, to be more accurate, I played guitar even worse than bridge. For all of my years in Hanoar Hatzioni, the youth movement I belonged to, six chords, a basic sense of rhythm, and a halfway decent singing voice, served to allow me to steer a careful path through the Israeli and American folk repertoire, occasionally fooling people who were either much younger than me or who did not play the guitar (or, preferably both) that I knew what I was doing.
And then, at age 36, I came on aliya. I put my guitar aside, and then, later, passed it on to Micha’el, and, apart from reading an occasional bridge column in the Hebrew press, I forswore the game, until…
I really don’t know how to account for what happened next. ‘Next’, I should explain, was seven months ago, when a friend from shul, who had recently learnt the game and was playing regularly in a relative beginners’ school hosted by the couple who had taught him, discovered that I used to play and started nagging me to come along. His persistence paid off, and I eventually succumbed. I was initially very wary. Let me rephrase that. The first week I turned up, I was petrified. Not only had I forgotten a significant amount of what was second nature 55 years ago, but I was also acutely aware that my razor-sharp intellect had arguably blunted somewhat over the intervening decades.
To make matters worse, and here I’m afraid things get a little technical, the advice I was given was that I should learn a new (for me) bidding system. Basically, this is a set of rules and conventions for describing your hand to your partner. To make this description as accurate and efficient as possible, systems are, perforce, fairly elaborate. Learning a new system was (Who am I kidding? Not ‘was’;’is’!) a bit like learning a new language.
Needless to say, my friends around the table (both those I knew well and those I had only just met) made me very welcome, and I realised in the first week that I was not going to make an absolute fool of myself. As I started playing every week, I found that gradually I regained more of the ability to remember the cards that had been played, to count cards, to visualise opponent’s hands, to remember what the contract was, to hold two separate bridge thoughts in my head simultaneously, not to drop my cards on the floor. It’s difficult for me to judge, but I feel that I have regained 60% or so of my playing ability when I was at my best.
As a result, when a good friend phoned me a couple of weeks ago to say that her regular partner for the weekly duplicate competition in Jerusalem was unavailable, and to ask whether I was available, I agreed. I went through the usual agonies of insecurity in the days before we were to play, and spent the evenings cramming as if for an exam.
Once again, the reality was completely unintimidating. I soon realised that the players were all pupils at the bridge classes at the community centre where the competition was held, and many had only been playing for a few months. Others had been playing considerably longer, but had not started playing until they retired, and their progress up the mountain range that is competitive bridge was slow. By the end of the morning, I was enjoying myself, and finding that I was able to maintain a level of intense concentration over the three hours of competition, which flew by.
The cherry on top of the cake was that my partner messaged me later that day with the results. We had come top.
There is always a moment, in films about alcoholism or gambling, when you realise that what was a social habit has become an addiction, and the protagonist is in the grip of something that he is unable to fight.
My name is David, and I am a bridgeaholic.
The following week (last week) found me at a newly opened seniors’ residence in the Jerusalem Hills, with a new partner (and old friend), playing in a more serious competition. Once again, my initial trepidation melted away as I realised that, although the players represented a range of abilities and experience that stretched far higher than the previous week, there were also a number of pairs of much less experience and ability. My partner and I came second. This is probably the worst outcome for someone sliding into addiction. The heady delight of doing well paired with the niggling conviction that next week you will do even better.
In the intervening week I have joined the Israel Bridge Federation and paid my annual membership. This morning we played again, and I am waiting to hear how we did this week. We are a curious pair: my partner couldn’t care less about winning or losing, and I couldn’t care more. However, so far we seem to be working as a partnership, and my insecurity is somewhat allayed by the knowledge that, however appalling or egregious an error I make, my partner will laugh it off.
As if this readoption of a teenage passion were not enough, a few weeks ago I confessed to Bernice that I thought I might like a guitar for a birthday present. She was very encouraging, and so I have devised a minimum-risk plan. I have signed up for a free online tuition program, and my musical daughter-in-law Maayan has kindly lent me her spare guitar to start playing. The idea is that if, after six weeks of starting to relearn, I am still interested, I will get a guitar for my birthday.
So far, I am thoroughly enjoying the process. It is not without its humiliations. I always knew that I was a rubbish player, but I never realised the multiplicity of layers of rubbishness of my playing, and just how many dreadful habits I baked into my left and right hand over a decade or more of ‘playing’ the guitar. However, I am enjoying the real pleasure of the stimulation of unlearning some bad habits, learning some new good ones, being introduced unthreateningly to a range of techniques, and having the opportunity to play a guitar whose rich, mellow tone is a world apart from the couple of instruments I played in my youth.
I can only play one tune so far: Happy Birthday to You. (At least, I could play it when I last tried, before Shabbat. I shall discover later whether I have retained it over the intervening 48 hours.) However, the joy of playing that enchanting tune, with all of the right fingering, is precious.
There are moments in the dead of night, when, with only a tentative grip on reality, I dream of becoming a top competitive bridge player. I harbour no such fantasies about the guitar. However, if I reach the point where I can pick out tunes, play the right chords to Turn, Turn, Turn (Who knew there was an F# in there?! Who even knew what an F# was?), and maybe even improvise a little on a pentatonic scale, then I will feel vindicated in making the purchase.
Meanwhile, while the scalp feels fully 75 years old, the fingers, fanning a bridge hand or strumming an Am chord, feel 21 again. No laughing at the back there!

